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	<title>Association des Lecteurs de Claude Simon</title>
	<link>https://associationclaudesimon.org/</link>
	<description>Site de l'association des lecteurs de Claude Simon. Prix Nobel de Litt&#233;rature 1985. Bibliographie. Cahiers Claude Simon. Critiques. Ressources. &#338;uvre et actualit&#233; de l'&#339;uvre de Claude Simon.</description>
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		<title>Orion Blinded (1981)</title>
		<link>https://www.associationclaudesimon.org/Orion-Blinded-1981.html</link>
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		<dc:date>2012-02-12T00:52:18Z</dc:date>
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		<dc:language>fr</dc:language>
		<dc:creator>Christine Genin</dc:creator>


		<dc:subject>Gould, Karen</dc:subject>
		<dc:subject>Birn, Randi</dc:subject>

		<description>
&lt;p&gt;Orion blinded : Essays on Claude Simon. Textes r&#233;unis par Randi Birn et Karen Gould. Londres ; Toronto : Associated University Press, 1981, 307 p. &lt;br class='autobr' /&gt;
Weed (Elizabeth). &#034; A rereading of Claude Simon's Le Tricheur &#034;, p. 39-56 Solomon (Philip H.). &#034; Life's Illusions : patterns of initiation in Le Sacre du printemps &#034;, p. 57-71 Gould (Karen). &#034; The faces of language in The Grass &#034;, p. 72-86 Birn (Randi). &#034; The Road to creativity. Eighteenth century parody in The Flanders Road &#034;, p. 87-103 Jones (&#8230;)&lt;/p&gt;


-
&lt;a href="https://www.associationclaudesimon.org/-ouvrages-collectifs-.html" rel="directory"&gt;Ouvrages collectifs &lt;/a&gt;

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&lt;a href="https://www.associationclaudesimon.org/+-Gould-Karen-+.html" rel="tag"&gt;Gould, Karen&lt;/a&gt;, 
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&lt;p&gt;Weed (Elizabeth). &#034; A rereading of Claude Simon's &lt;i&gt;Le Tricheur&lt;/i&gt; &#034;, p. 39-56&lt;br class='autobr' /&gt;
Solomon (Philip H.). &#034; Life's Illusions : patterns of initiation in &lt;i&gt;Le Sacre du printemps&lt;/i&gt; &#034;, p. 57-71&lt;br/&gt;
Gould (Karen). &#034; The faces of language in &lt;i&gt;The Grass&lt;/i&gt; &#034;, p. 72-86&lt;br/&gt;
Birn (Randi). &#034; The Road to creativity. Eighteenth century parody in &lt;i&gt;The Flanders Road&lt;/i&gt; &#034;, p. 87-103&lt;br/&gt;
Jones (Tobin H.). &#034; &lt;i&gt;Histoire&lt;/i&gt; : The narrative as a Bio-Graph &#034;, p. 105-116&lt;br class='autobr' /&gt;
Loub&#232;re (J.A.E.). &#034; Announcing the world : Signs and Images at work in the novels of Claude Simon &#034;, p. 117-132&lt;br/&gt;
Holter (Karin). &#034; Simon citing Simon : A few examples of limited intertextuality &#034;, p. 133-150&lt;br/&gt;
Bjurstr&#246;m (Carl Gustaf). &#034; Composition, repetition, and dislocation in Simon's first three novels &#034;, p. 151-172&lt;br/&gt;
Roubichou (G&#233;rard). &#034; &lt;i&gt;Histoire&lt;/i&gt; or the serial novel &#034;, p. 173-183&lt;br/&gt;
Loub&#232;re (J.A.E.). &#034; The generative function of translation in the novels of Claude Simon &#034;, p. 184-199&lt;br/&gt;
DuVerlie (Claud). &#034; Pictures for writing : premises for a graphopictology &#034;, p. 200-218&lt;br/&gt;
Makward (Christine P.). &#034; Aspects of bisexuality in Simon's Works &#034;, p. 219-238&lt;br/&gt;
Fletcher (John). &#034; Faulkner, &lt;i&gt;Gulliver&lt;/i&gt;, and the problem of Evil &#034;, p. 239-247&lt;br/&gt;
Jimenez-Fajardo (Salvador). - &#034; Claude Simon and Latin American fiction : some common grounds &#034;, p. 248-259&lt;br/&gt;
Levitt (Morton P.). &#034; Modernist survivor : the later fiction of Claude Simon &#034;, p. 260-284&lt;br/&gt;
&#034; Simon on Simon : An interview with the artist &#034;, p. 285-288 &lt;br/&gt;&lt;/p&gt;&lt;/div&gt;
		
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